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Curly
Maple Maple is the most common back
and side wood for mandolins. It lends itself well
to a strong fundamental tone that is generally weighted
towards the treble. It is responsive and depending
on the cut can be variable in treble/bass response.
Tones are rather separate with mid to low complexity.
Projection is good. |
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Birdseye
Maple Generally the same
characteristics as curly maple. The birdseye
figure is generally only found in hard varieties of
maple and only shows on the slab to skew cut. |
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Spruce
I usually use two varieties of spruce; Adirondack Red Spruce, and
Englemann. Red Spruce is a time tested favorite.
It is generally denser and stiffer than many other
spruces. Red Spruce has a lively and aggressive
tonal character that will age very well. Englemann
is usually softer but still rather stiff. It gives
a more open and complex tone. |
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Gaboon
Ebony A very dense and almost jet
black tropical wood. Gaboon is primarily used for
fingerboards for its density and resistance to wear. It
is also used for bridges and endpins. |
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Macassar
Ebony Macassar is a more colored
species of ebony. I use this wood primarily for
headstock veneers and occasionally for fingerboards and
binding. |
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Spanish
Cedar A very stable an easily
workable wood with a strong cedar earthy aroma.
This is the wood used for internal linings and blocks.
Smell the inside of a new instrument to catch a whiff of
the Spanish Cedar inside. |
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Mahogany
One of the worlds most stable and
acoustically viable wood. This wood is used for
necks and occasionally back and sides. |
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Tasmanian
Blackwood A tropical wood very
closely related to the often used tone wood Koa.
This wood gives good volume as well as a mellow tone.
Very similar to Mahogany but with more warmth in the mid
to upper registers. It finishes to a wonderful
iridescence. Figured stock available as well.
Also used for binding. |
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Afzelia
Burlwood Burlwood from Africa.
Used for headstock veneers and decorative appointments.
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Bubinga
A dense and rather stiff wood with
interlocking grain and "beeswing" figure. This
wood has good sustain with a dark mellow character.
Very rosewood like in tone but not quite as dark and
rounder in quality. |
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Cocobolo
A true rosewood from Central America.
Very dense and stiff this wood has an immense presence
and complex dark tone. It projects very well
and is rather aggressive in quality. The tones
intermingle with one another and sustain very well.
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Honduran
Rosewood Essentially the same
characteristics as Cococolo. A true rosewood. Becoming
difficult to obtain. |
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Walnut
A fine American tone wood. Walnut
has a slightly more open and complex character than
maple. It is responsive and versatile. A nice dark wood
alternative to maple. |
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Zebrawood
A stiff tropical wood. This wood is nearly as stiff as rosewood
but not quite as dense. Tonally it is something of a
cross between rosewood and maple. It is well
balanced bass to treble, has medium sustain, and good
tone separation. A great wood for someone looking
for a more versatile and slightly darker tone over
maple. It has a bold aesthetic. |
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